I am drawn to the way memory is embedded in materials. Many of these fibers come from animals I have raised or known, and their presence introduces a layered sense of time, relationship, and continuity.
As I work, my own memories and experiences become part of that layering, building meaning within both the painted and fiber elements. The result is work that invites ongoing discovery and connection over time. This approach, which I describe as “fiber-integrated oil painting,” remains an emerging and relatively uncommon approach, and I am actively developing it as a distinct body of work. I love being an artist because it allows me to transform years of connection with animals, materials, and the natural world into something that holds both visual impact and deeper meaning. My work reflects a sense of stewardship. It honors the individuality of the animals, the materials they produced, and the stories embedded within them.